Contempt is presented in its original theatrical aspect ratio of 2.35:1. This new high-definition digital transfer was created from a new 35mm interpositive made from the restored camera negative. The transfer was supervised by Beatrice Valbin of StudioCanal and cinematographer Raoul Coutard. The soundtrack was mastered from 35mm magnetic tracks. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches. The soundtrack was mastered at 24-bit; audio restoration tools were used to reduce clicks, pops, hiss, and crackle.